Showing posts with label budi pradono_budi pradono architects. Show all posts
Showing posts with label budi pradono_budi pradono architects. Show all posts

Friday, October 2, 2020

Taksim highline-scape, Turkey by Budi Pradono / budipradono architects a+u

Conceptual statement

 

Introduction

 

The primary question in the design of public space is whether to intervene, so Taksim square has a new value and landmark at the same time. In this millennial year, digital society has specific expectations. Since is it really easy to get an all information through the internet, so experience-based new public space has become the most important specificity. Introducing new public space, which is part of superimposition of movement, tradition and reinterpretation of history in that area. 

Then, by offering an experience while providing an opportunity to be at a different level, this place finally becomes a new attractor. The strategy used is to do a superimposition of old & historical value with contemporary programs or events. So, the square becomes full of contents but at the same time, appreciates with either context. 

Understanding in-between spaces by introducing organic softscape, and creating disrupted wooden mushrooms which integrates with pedestrian bridge between programs, events and space running side by side and flowing like a water parametric wooden system intertwining the pedestrian path. 


We want to maintain the Gezi Park structure but also introduce an additional softscape to make the experience more meaningful. This will provide energy for people's trajectories that will experience the floating space as a contemporary public space in the sky. 


This will merge between imaginary space and reality. This is an offer coming from an experience-based place that makes the specificity of the place very important. When you redefine the public space and innovate the contemporary architecture, it can be called Taksim highline-scape. 

 


Mapping the trajectories

Mapping the historical trajectories of horse drawn carriages has become our device when it transforms its multiplicity into several organic patterns on the square. This became our generator to produce organic patterns on the space. 



Organic & undulating softscape

By introducing undulating softscape, we provide experience-based public spaces, that have a different level of elevation, and at the same time have different views to see the city and understand the connection between the city and the sea. 



Urban green shawl 

On the urban design strategy, we wanted to connect all of the green areas on the city. It became a shawl of the square. This green shawl will connect existing greeneries into one, by introducing softscapes on the square.



Garden in the sky

Garden in the sky makes Taksim square offer a new destination that connects the public space and the sea. People can walk from the blue mosque and republic monument across the square to the Gezy park trough the fluid pedestrian bridge.


Disrupted mushroom pattern

Disrupted mushroom pattern is a sculptural imagination of contemporary mushroom that connects several areas while creating wooden structures that support the pedestrian bride. This gives new values to Taksim square.

 


Organic Shadow

We wanted to create an organic shadow from the organic landscape. During the summer time, this place can accommodate many people in Taksim square and they can stand under the shadow of the undulating landscape.

 


Amphitheater

We proposed to create several intimate amphitheaters and plazas to accommodate local culture performances but also as new sitting places for people to interact each other.



 

Historical layer

We want to provide Dialogue between historical artefacts and reactivate the place with contemporary programs. That’s way, we mark the existence of Taksim square since 1910.

 


Axis projections

We want to emphasize the axis by clarifying the existing axis consisting of three axes; the historical axis connecting the Republic monument with Gezy Park, then the public axis connecting Talimhane with Inonu street, and the cultural axis connecting the Blue Mosque to the Atartuk Cultural Palace. This axis is implemented like a rug made of pavement.


Flowing program, events and spaces

Between programs, events and spaces running side by side, water parametric wooden systems intertwine the pedestrian path. 

 

Superimposition of layers

We divided some concept ideas into several layers which, when superimposed, will produce an orchestra of various layers. All programs and architectural forms are formed because when all these ideas are put together, it becomes new uniqueness for the place. And Taksim square will produce their own story without losing the original meaning.

 

 

General concept

 

Lighting concept

Lighting is an important aspect of all this planning. Basically, all the lighting is of a very gentle kind. So that some spots such as wooden mushroom tower become highlights and the organic form of this landscape gets sufficient lighting and is very responsive to the pedestrian that passes through it.

 

Street Furniture concept

The street furniture concept is an integral part of the whole project so all of it should be designed based on the material and form concepts developed from organic landscape.

 

Water as attractor

Water is part of the attractor experience so we proposed to bring a fountain that is automatically moved to the plaza area near the main amphitheater. Lighting is also an integral part of this fountain.

 

Wood as medium

Wood acts as a medium to communicate between human and nature. Even the bridging pedestrian is made of concrete structure, but on the lower side, we want to use wood as softscape. Likewise, with the disrupted mushroom structure which is also made of laminated pine wood. With the current technology of parametric systems and laminated wooden structure, this landmark will provide Turkey with the opportunity for technological and architectural advances throughout the world. It will be aligned with several landmarks in the USA and Europe.


Existing Trees

We want to maintain all existing trees. Although some trees will be relocated and arranged according to new concepts. Since this is the strength of Taksim Square. we want to provide aspects of sustainability.


Plant on the pedestrian bridge 

We want to cover most of the organic landscapes with bush and grass. It will make the environment just like tropical garden in Mediterranean scape. And also, on most of pedestrian bridges, we are creating organic shape landscape full of bush and grass. 


Project competition 2020

Location: Taksim square, Turkey

Firm: budipradono architects a+u

principal architect and urban designer: Budi Pradono

project director: Reini Mailisa

designer team: Budi Pradono, Fransisca Yongsie, Srirendra Sigalingging, Liesbeth, Pornapha Earn, Fauzan, 

 

 

Tuesday, April 17, 2012

Indonesia Architecture Public Exhibition 2012, Den Haag Malieveld


Inilah untuk pertama kalinya dalam sejarah sebuah pasar malam yang rutin diselenggarakan di Den Haag, Belanda menampilkan karya-karya kreatif arsitek Indonesia. Meskipun hanya menampilkan foto maupun images yang sangat terbatas dari ratusan karya ini setidaknya memberikan rasa bangga, dan gembira supaya industri kreatif kaya arisetk-arsitek Indonesia semakin dikenal di kancah dunia karena eksistensinya.

Pameran ini sebagai ujung tombak untuk menyuarakan kekinian, kemajemukan sekaligus kemandirian sebuah bangsa yang pernah terjajah. Bisa jadi banyak orang-orang barat yang tidak tahu Indonesia masa kini, dan tidak bisa membedakan mana Bali dan mana Indonesia. yang sudah terpatri di dalamnya hanyalah tari-tarian saja. Dalam beberapa tahun terakhir ini isu perlunya lembaga kebudayaan Indonesia di Luar Negri sudah teramat penting untuk di adakan keberadaan nya, setidaknya di setiap kedutaan Indonesia di seluruh dunia. Sehingga pengenalan terhadap kemajuan kebudayaan terus menerus dapat di dengungkan. 



Hal ini seperti visi untuk memajukan dan memudahkan misi-misi kebudayaan dalam kancah global. Sehingga di masa depan arsitek Indonesia semakin di kenal di dunia dan bahkan dapat mulai mendunia dengan mengerjakan proyek-proyek di luar negeri, kita harus bercermin dari Belanda yang memiliki pusat kebudayaan Belanda, dimana menyediakan tempat pameran maupun kursus bahasa Belanda, sebuah investasi demi pengenalan Belanda yang lebih baik.



Bagi seluruh arsitek yang karyanya sudah terpilih jangan lantas terlalu berbangga hati karena pameran seperti ini hanyalah sebuah awalan, sebuah permulaan yang harus dilanjutkan dikemudian hari, berkarya terus dan berpameran terus…karena beberapa event pameran juga merupakan sebuah batu loncatan untuk menguji dan menceritakan konsep-konsep kekinian dalam berkarya.



terlepas dari kritik yang kedengarannya cukup miring soal independensi jury, juga karena ternyata juri merangkap kurator memamerkan lebih banyak dari peserta lainnya tentunya harus dibaca lebih arif karena toh ini juga masalah kesempatan untuk berpameran, tentu saja banyak arsitek muda terutama dari daerah yang harus kecewa karena tidak terpilih…tetapi ini sebuah pelajaran berharga bagi semua pihak karena juri berpegang soal estetika yang subyektif di sisi lainnya memiliki keterbatasan waktu dan tenaga. Kita ucapkan terima kasih dan selamat pada Dana (Daliana) yang sudah bersusahpayah dari Rotterdam mengkoordinir kegiatan ini, juga pada Patrick Lim yang mengkoordinir dari Jakarta. Serta juga pak Endi Subijono dan Ahmad Djuhara para Juri yang sudah bekerja.


















Daftar Karya yang dipamerkan: 

  1. Professional
    1. ABODAY: Museum Nasional Indonesia
    2. AI-CTLA Studio: HUNTARA, Masjid Raya Sriwijaya
    3. Andra Matin: Lembang Permata, Potato Head, Taum Kamala
    4. Andrew Tirta: Hotel Andora, DK Residence
    5. Andri Ferik: kepaduri house, linear house
    6. Andy Rahman: Windcatcher House
    7. Angga Rosiawan+Mariska Pratimi: Mangrove belt as hybrid shore recovery
    8. ANTARA: SS Residence, Swiss Embassy Staff Residence, ES Residence, LS Residence, IPH Residence, Kopo Mosque
    9. Atelier riri: House surrounded by trees
    10. Atelier Una: Hotel Tusita, Hotel Oracle, Gereja Bangka
    11. Budi Pradono Architects [BPA]: Kencana House
    12. D-associates: rumah ampera, rumah cipayung, OHD museum, Showroom Ambiente
    13. Djuhara+djuhara: Rumah Widjanarko, Equator Jingga, Shining Stars School Bintaro, Rumah Tinggal Vivian Jati
    14. DOT-Workshop: Residence Bare Minimalist
    15. Dpavilion Architects: Pohon Inn, Habitat Sculptural Building, Contertainer (Container+Entertainment)
    16. Evtline Atelier: B House, INDOENERTECH Building
    17. Farid Indra Gunawan dan Dyah Ratna Tiaralaksmi: Jajan Denpasar
    18. Fransiska Prihadi: Rumah Edo dan Cika
    19. HAN AWAL & PARTNERS ARCHITECTS: Waerebo
    20. HADIVINCENT architects: Nanny's Pavillon-Barn, SOHO Park
    21. Hari Sunarko: Ijen Villa's
    22. HGT Architects: HOUSE 6, Little Gwen
    23. HMP architects: Erha Clinic Surabaya, Erha Clinic Pondok Indah
    24. I+A Architects: Cold Storage Facility & Office, Office & Gallery
    25. Julian Palapa + Bayu Rismabuana: P(R)AYHOUSE / Baitul A'laa Mosque
    26. KIND: Balairung UI, Senopati Penthouse, Masjid Sriwijaya and Islamic Center Masterplan, Menara IA ITB
    27. Kusuma Agustianto: Rumah Tinggal Bukit Gading Mediterania, Rumah Tinggal Kebon Sirih,
    28. Salim Abdullah, I-NAP Hotel
    29. LABO: Revitalisasi Museum Konperensi Asia Afrika Bandung
    30. MADcahyo: Green Belt Tower, Semi-finished House
    31. Mamostudio: Rumah Kayu Karet, Guest House, Indika Energy HQ, Menanti Reinkarnasi Bumi, Sekolah Maria Regina, Studi-o Cahaya, Tanah Teduh
    32. Michael Tambunan Architect Studio: Church Hypersurface - Perancangan Gedung GMIM Betlehem
    33. Modernspace: Bina Bangsa Campus, KJ House, pantai mutiara
    34. Mukoddas Syuhada dan Yu Sing: Tapak Bumi Village
    35. PARAMETR ARCHITECTURE: Balairung Ratenggaro University Of Indonesia, Circus Hotel And Waterpark , Hotel Palangka Raya, Hotel di Sanur
    36. Parisauli architect: Omah Dara
    37. PDW: Ahlibank Headquarter, Stadion di Taman BMW, Kantor Departemen Agama, All Seasons Hotel, Menara Indonesia
    38. PHL Architects: GMT Institute of Property Management, Hotel D'Praboe, Condotel Best Western Premiere Candi
    39. Pla+form collaborative: Museum Nasional, Mesjid Suramadu, Bundaran Summarecon Bekasi 1, Bundaran Summarecon Bekasi 2
    40. PSUD: Sayembara Koridor Solo
    41. PT. Arkonin: JGC Office Building, Integrated Faculty Club-University of Indonesia, Manufacturing Research Center FTUI
    42. PUTERA RAHMAT ISMAIL: Menara Suara Merdeka
    43. Ruang Dualapan: Penyusunan Model Kawasan Teluk Palu
    44. Satrio S. Herlambang: MERC Fakultas Kedokteran UI
    45. SHAU: House by the Danube, Energy Gateway
    46. Studio83: Royal Kamuela
    47. Studiodasar: Rumah Minimal
    48. TWS & Partners: INTERTWINE TOWER, ORGANIC HOUSE
    49. Urbane: Masjid Al-Irsyad, Senayan Aquatic Stadium, PII  (Persatuan Insinyur Indonesia) Head Office, Discovery World TMII
    50. Wahana Cipta Selaras: Urban In Harmony, Contemporarily Hidden
    51. Wastu Buana Adi Cipta (WASNADIPTA): LABORATORIUM DAUR ULANG SAMPAH UNIVERSITAS GADJAH, MASJID SURAMADU, GEDUNG PERPUSTAKAAN NASIONAL
    52. Wastu Cipta Parama: Asas House, BELLAGIO HOUSE, GIGA Hexagonal Office Building, Tree House
    53. WILLIS KUSUMA ARCHITECTS: GF House, Z House
    54. Yose ferdian Damury&Fedy Trinugroho: Agro Wisata, Gerbang Tol Cikunir, Rumah Yunus
    55. Yu Sing: studio akanoma, wika leadership center

  1. Mahasiswa
    1. Agustina: Transforming Shelter of Jalan Jaksa (UNTAR)
    2. Amanda Gracia: Crater for Arts, Extraterrestrial - A house for a cinema enthusiast (UPH)
    3. Amelia: Jakarta Independent Film Theatre (UPH)
    4. Daka Dahana: Sunda Kelapa Waterfront Citywalk (UI)
    5. Devina Andreas: Alghorithmic Skin Halte Transjakarta for Daylighting Issue (UPH)
    6. Erlangga Boenawan: Joy to The World Café  (UNPAR)
    7. Evelyn: Redevelop Gondangdia Station (UPH)
    8. Enriko Maradona Thamrin: New HQ Compound Euroasiatic Indonesia, Dorm+Architecture Workshop (UNPAR)
    9. Edgina Alvita Indri: playing & learning space for street children (UNTAR)
    10. Felicia Sartika: Art space for Bernini's Apollo and Daphne sculpture, Artist Hut (UPH)
    11. Gana Ganesha, Stephanus Theodorus Suhendra, Ignatius: Interaction Intersection : Siliwangi Pedestrian Bridge (UGM)
    12. Glenn Hajadi: Winter / Summer Office (Barcelona Institute of Architecture)
    13. Hizkia Firsto Giovanni: Dogleg House (ITS-Saxion)
    14. Hakim Iskandar: Tanah Abang Connector (UNTAR)
    15. Isabella Fitria Andjanie: Zoological Museum Park (UGM)
    16. Ike Puspa: Cross Over (UPH)
    17. Ignatius Christianto Purnawan: Halte Transjakarta (UPH)
    18. Ingrid Dharmawan: Mosaic House of Jakarta (UNTAR)
    19. Jonathan Sutanto: Night Wing Project (UNTAR)
    20. Juanita Christine: Night Watch & Apollo Daphne Art Space, Artist House (UPH)
    21. Jennifer Olga: Ciliwung Health Clinic (UPH)
    22. Jessica: SOHO and Business & Entertainment Facilities (UNTAR)
    23. Kevin Yugen Theda: Warung Waduk Melati (UNTAR)
    24. Melanie Sugiarti: Papan Nama Pemulung Pademangan 5 (UNTAR)
    25. Mikhael Johanes: Flex O (UI)
    26. Mezano Muhammad: Rendezvous Project (UI)
    27. Meidy: Portable Maternal & Children Medical Care (UNTAR)
    28. Noeh Rizal Tarigan, dkk: Revitalisasi Kawasan Jalan Merdeka (ITB)
    29. Padmana Grady Prabasmara: Revitalisasi Jalur mati Kereta Api Yogyakarta – Magelang (UGM)
    30. Ricky Goreta: Pusat Penelitian dan Pengembangan Produk Pangan di Puspitek  (UNTAR)
    31. Ricko Pradiantoro: AL - FATTAH Mosque, Modern Tropical House (PPArs-ITS)
    32. Shirleen Alvita: Keller's House, Art Space (UPH)
    33. Salman Rimhaldi, Adhi Wibawa, Adam Angkawidja, Raden Ahmad Grenaldi: Borneo Forest Tower (UNPAR)
    34. Sylvia: Guerilla Building (UNTAR)
    35. Talisa Dwiyani: Interconnection Permaculture (UI)
    36. Tania Paramita: Rumah Suwardana Winata (UPH)

Tim seleksi:
Endy Subijono, IAI (Ketua Kehormatan IAI, Studio 83),Ahmad Djuhara, IAI (Ketua Kehormatan IAI Jakarta, djuhara+djuhara), Daliana Suryawinata (Ketua IAI-EU, SHAU), Patrick Lim (Partner Archicentrum, PHL Architects)



Monday, March 12, 2012

Stalagmite Lanterns under the high line, New York by budi pradono architects


The installation that we proposed is creating several of the stalagmite, which is to respond to the weight of several objects placed along the Highline. 

These objects are the nodes of several important buildings in Manhattan. We imagine these dots have the power, weight and energy that could melt down, what eventually became a stalagmite. 


Stalagmite even this deforms thus created a new spaces unexpected, gives color to the west 24 street, which was dark into a room full of lanterns. Some eventually share with stalagmite met and established a colony of Lanterns.



Project name: Stalagmite Lanterns
Location: high line park, New York
type: Installation, competition
architects: budi pradono architects
team: Budi Pradono, Adhi Wibowo Hendradiningrat, Stephanie Monieca


Wednesday, January 25, 2012

The Wellness Archipelago at the Dnieper River in Kiev by Budi pradono architects



Designing the future of the islands along the Dnieper River is based on some fundamental questions: Can these islands reunite the city of Kiev, both conceptually and physically? Can these islands drive the new economy like the past? Can Dnieper River and the whole island in it provide new inspiration for its society? From the list of questions at the end we put forward a proposal on envisioning the entire area with the archipelago wellness concept.

The policy of the conservation causes the river dividing the city into two areas. Therefore the urban design concept is how to reunite the two areas in the city of Kiev is. By making this a wellness Archipelago, the islands are expected to revive the spirit of the economic progress of the past in general as they will provide several programs that relate to the key concept, namely: social wellness, physical wellness, environmental wellness, financial wellness etc. This concept which is translated into several wellness strategies is to categorize related wellness programs into several devices that consist of the ribbon, the follies, the artificial Islands, the urban patterns, and the dancing sticks.


THE BRIDGES
Bridges are scattered randomly in the region, act as devices that allow it to develop various kinds of programs needed in the area; the bridge is able to adapt to local environments, for example, could be a digital corridor, which is able to position themselves as digital media provider, this bridge can also be a center of research, can be a complex series of accommodations such as resorts or hotels, food courts platform, or as a wellness spa complex. Because this bridge is a structure length and height can of course also serves as a rescue for flood hazards.
THE RIBBON
This ribbon snaking a fluid from one end of the island to another island, the goal is to provide an informal connection between some remote places and also connect a wide range of programs that exist on some islands. Ribbon is so unique that has a topology which makes it easier to change its shape to fit the needs of its location. This ribbon can be a pathway, it can be a pergola, could become a mere shelter, rollercoaster, canopy, bridge, or street furniture. Ribbon metamorphosis that has the ability to adjust and change its shape to follow and define them in order to fit the specificity of the place.


THE FOLLIES
Follies which is the modal points on both sides of the river provides for the distribution of urban injection encouraging newvitality. Tourism injects new energy; this Follies have the opportunity to transform the social and physical context in each district. These nodes to accommodate a variety of inspiration for the surrounding community, a tourist information center or the center of public services, such as data centers, or a research center, or clinic, or just an internet café,


THE ARTIFICIAL ISLANDS
Artificial Island is a device that provides new cultural values, although the oval shape is very specific, this artificial island could be made as rig at sea, can be built upon a variety of cultural buildings such as concert halls, museums, and galleries and music venue. These islands will move the economy and culture simultaneously. This artificial island will also turn on the water transport
URBAN PATTERNS
The pattern of urbanity, which is to provide a marker to differentiate between artificial and non artificial forest, between landscape and research farm and therefore the strip pattern that can define their border. Other patterns are honeycomb urbanity; this pattern was found in the old urban pattern is transformed into an archipelago area as a stain forming activity,for various programs. Honeycomb may activate the region.


THE DANCING STICK

These sticks are used as a marker of the city, represents the landmark of the future, stick on one region is presented with certain parameters, if the region that dominates many areas of industry, then this could turn function sticks as offices, commercial areas and apartments. This stick has certain rules that have a tendency to dance with the provisions and certain degree,


The five elements mentioned above may seem like a stand-alone but they are layers that integrate related and complementary. This can be elaborated and is visible through a series of interpretations on each island. They are specific even though the whole island already has zonings prepared by the government but the entire archipelago will live with putting some of these new devices.


Starting from Muromets and Lopuhovatyi Islands, the areas have unique characteristics as a conservation area. Please note that these islands always flooded, so that in this archipelago and the Muromets and Lapuhovatyi Islands there are several bridges that are above average when the flood reaches 6-8 m which can be a National Disaster Control System as a center for environmental research and rescue flood victims. Some diagonal patterns that provide opportunities for the researcher to develop plants as objects of research are also created in this area. While in Lopuhovatyi island the wellness center is placed filled with some programs, such as a place of retreat, yoga centers, and meditation. In Venetsianskyi, several Follies which become markers for a connector of the two regions are also placed on the river as Intellectual wellness Island, cultural island, library and concert hall. This region is the bridge, which has a range of variants namely: Hotel and food court or a private Villa, which will support the Water Park zone. While Conservation Center which is focused on environmental Wellness; flora and fauna in the form of research centers and Conservation Center are located in Olzhyn Island. Since there are some industries in Galernyi Island, the development focused on the physical, such as Sport Center, Hotel, Residential and Education Center as well.









Some basic geometric patterns developed as a guideline for future landscape development. Honeycomb-shaped pattern and the strips are coupled to each other and juxtaposed with various other tools such as ribbon, follies and the bridge that can activate a variety of activities which exist in the various islands.